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This book is about one of the greatest, perhaps the most "pro-

klyatyh "problems of the theory and history of documentary kinemato-

Count - the problem of the relationship of documentary films with Member

State and Society The author begins with the pre-revolutionary

times when the empire led non-fiction films, leads

Soviet totalitarianism through to the present day, when the new Rus-

And this "takes over" the royal tradition and again throws kinodoku-

mentalists to their destinies, but now in a

That crisis and ruin this triad, traced to abundant

factual material, and is a useful basis


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